Tuesday, May 27, 2008

R.I.P. Sidney Pollack

It's true, Sidney Pollack did not direct a great number of "great" films--perhaps none. And, in my movie-watching lifetime, he only directed two high-profile movies, The Firm and Sabrina.

What is much more important for me is that Sidney Pollack was one of THE great character actors. Who doesn't recall the turn-off-your-cell-phones clip that played before movies last year? ("We don't interrupt your phone calls--don't interrupt our movies"; with Pollack "directing" someone's break-up phone call)--it was a dumb idea, but one thing was very clear: Sidney Pollack plays a terrifying, self-assured asshole like no one else.

A lot of this was Pollack's voice and physical presence: everything Burt Lancaster was going for in The Sweet Smell of Success, but without the gay (under?)tones. While usually bespectacled and obviously "civilized," Pollack could switch into "threatening" with utter believability.

I even remember his character's name in Michael Clayton, an utterly forgettable film: Marty Bach! Of course! Who else could have played Marty Bach?

The same is true of his character in Eyes Wide Shut---well, really it's the same character. Your older friend, whom you trusted, who fucked you over, and is now expecting you to hold his shit.

Pollack is really truly great in the 1992 Woody Allen movie Husbands and Wives, especially one scene where it is entirely possible that he is going to murder Liam Neeson. The entire movie would fall apart if anyone else had had to play this role. One instantly recalls a scene where Pollack drags his new girlfriend across a driveway to his car. "He could kill her," you are thinking every second of the way. It's something Woody Allen's films normally stumble over, but Pollack was a genius casting decision (in his first starring role) that makes the whole movie work.

So, not an extensive filmography, and not an illustrious one. But like a great fielder on an otherwise mediocre baseball team, Pollack's acting raised the level of everything he was part of. Will we remember Out of Africa? Probably not. But Pollack's acting in the films of *other* directors (Kubrick, Allen) will always be worth another viewing. Mr. Pollack, we will miss you.

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